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London Shows For Dave Chappelle June 2019

Following sold out shows at the Royal Albert Hall last year with Jon Stewart, Dave Chappelle returns to the UK this June to perform at London’s Adelphi Theatre and Hackney Empire.

Chappelle’s clever, in-your-face brand of humour has made him one of the most respected entertainers of his generation. In March 2017, Chappelle returned to television via streaming giant Netflix with two highly-anticipated specials, The Art of Spin, and Deep in the Heart of Texas, filmed in Los Angeles, CA and Austin, TX. The critically-acclaimed specials satisfied his fans and introduced a new legion of followers to his sidesplitting, thought-provoking style of political and social commentary.

In 2005, Chappelle walked away from his groundbreaking sketch comedy show, Chappelle’s Showon Comedy Central. During the 8 years that followed, he performed pop-up stand-up dates, made occasional television appearances, and toured extensively throughout the United States, United Kingdom, the Netherlands, Canada, and Australia. From intimate comedy clubs to theatres and arenas, Chappelle’s live performances often sold out within minutes of being announced.

Comedy Central ranks Chappelle as Number 43 of the “100 Greatest Stand-Ups of All Time.” Esquire Magazine has called him “the comic genius of America,” and he was featured on the cover of GQ Magazine’s Man of the Year issue in 2015. In April 2017, he graced the cover of The New York Times’ T-Magazine.

Dave Chappelle UK Tour Dates

02 June 2019 London, Adelphi Theatre

03 June 2019 London, Hackney Empire

Tickets for Dave Chappelle go on sale on Monday 20 May 2019 at 10am at

*** No cellphones, cameras or recording devices will be allowed at this show. Upon arrival, all phones and smart watches will be secured in Yondr pouches that will be unlocked at the end of the show. Guests maintain possession of their phones throughout the night, and if needed, may access their phones at designated Yondr unlocking stations in the lobby. All guests are encouraged to print their tickets in advance to ensure a smooth entry process. Anyone caught with a cellphone in the venue will be immediately ejected. We appreciate your cooperation in creating a phone-free viewing experience.

DJ Advice – How to create a hi-tech live performance setup

Things to think about when you’re going from studio to stage

There’s lots to consider when taking your tunes out live, and it can initially seem daunting. There are so many different ways to approach translating DAW-produced music into a live hardware-based scenario – with or without a computer.

If you are considering changing/tweaking your setup and are going to be taking your music out live, consider both how your gear might work for you in the studio and also in a live capacity, either on its own or with a band. For example, if you can have one set of equipment that works for both studio productions and gigs, you could end up saving yourself a lot of cash; but, on the other hand, you might not want to take your studio kit out live in case it gets damaged.

When choosing a hardware setup that you want to work in the studio but with live gigs also in mind, always choose gear that’s sturdily built, as flimsy kit doesn’t hold up well to the rigours of touring (though on the flipside, it’s usually cheaper to replace). Similarly, don’t skimp on sound quality, and always invest in sturdy flight casing to protect your setup.

Also, think hard about what you need the equipment to do – will you need one central piece/brain such as a drum machine or sequencer flanked by effects, or several pieces of gear MIDI sync’d and dedicated to specific tasks such as basslines, drums, chords, leads etc? Will you be setting your own monitor levels using a desk, or relying on in-house engineers for setting monitor levels?

Make lists of gear you want to use live, draw diagrams of live setup scenarios and routings, and make a budget to stick within (including wiring/looms, stands etc). This all helps you to visualise your setup.

Keep it simple



Try to keep things as streamlined as possible, as the more complex your setup, the more cabling and stands needed, plus the more time you’ll need to set up the gear. In particular, with festival gigs, soundchecks are usually very short (or non existent!) and you might just get a ‘line check’ to test your gear is working and that the monitor/front of house sound engineers are getting signals from your equipment.

Another important consideration is the weight and portability of your gear. Hardware setups are inherently more weighty than just a laptop and interface, and once your gear is flightcased it can become quite unwieldy. Also, the heavier the gear, the more you’ll get charged if you’re flying about all over the place, so keep this in mind, too.

As much as we all want to stand out on stage with unique and sometimes flashy set-ups, also try to buy gear that most hire places are likely to carry. This way, if your hardware setup is looking too costly to travel with, you can hire the gear abroad (if budget allows) then put your sounds on a USB key or laptop and load them into the hired gear when you get there – then you can travel light.

Finally, once you have established the gear you’ll be taking with you and/or the gear you want to hire, send on a stage plan with a clear list of what you need to the gig promoter so that any specific gear can be sourced if it isn’t readily available. Specify everything in as much detail as possible down to what stands you’ll need, onstage positioning, how many outputs you’ll be needing, and what effects you’ll be using. Also, make sure you specify high-quality monitoring (mono, or preferably stereo) plus high-quality DI boxes.

If you’re planning on playing live, choose your gear carefully.
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