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T-Pain: Officially Yours | NPR MUSIC FRONT ROW

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To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at our Washington, D.C. headquarters. The inimitable Floridian performed a short set of classics, both his own and others’, and brand new, never before heard song from his forthcoming album, Stoicville: The Phoenix.

Director: Mito Habe-Evans; Producer: Frannie Kelly; Videographers: Colin Marshall, Julia Reihs, Cameron Robert, Morgan Walker; Audio Engineers: Andy Huether, Josh Rogosin, Neil Tevault; Special Thanks: Chris Berry, Saidah Blount, Bobby Carter, Kate Drozynski, Kiana Fitzgerald, Savoy Jefferson, Cedric Shine, Justin Winn; Executive Producer: Anya Grundmann

T-Pain: NPR Music Tiny Desk Concert

T-Pain’s fingerprints are all over pop and R&B and hip-hop. He wasn’t the first musician to use Auto-Tune as an instrument β€” he noticed it on a Jennifer Lopez remix, and remembers “Deep” well β€” but it was, as he says, his style. For a while, in the mid-2000s, he lived at the top of the charts. He dominated that brief moment of our lives when ringtones were a thing. He was celebrated as an innovator, and he happily took his talents where he was invited, which was everywhere.

But somewhere along the way, somebody got it twisted. “People felt like I was using it to sound good,” says T-Pain, in an interview that will air on All Things Considered. “But I was just using it to sound different.”

He just turned 30, but T-Pain has already done enough to drop a greatest hits album next week. We asked him if he’d grace the Tiny Desk without any embellishment or effects to show what’s really made his career: his voice, and those songs.–FRANNIE KELLEY

SET LIST
“Buy U A Drank (Shawty Snappin’)”
“Up Down (Do This All Day)”
“Drankin’ Patna”

CREDITS
Producers: Frannie Kelley, Maggie Starbard; Editor: Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Production Assistant: Susan Hale Thomas; photo by Maggie Starbard/NPR

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